Metalcore

From Wikipedia, the free encyclopedia

Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.

In the late 1980s to early 1990s, pioneering bands such as Integrity, Earth Crisis and Converge, whose hardcore punk-leaning style is sometimes referred to as metallic hardcore,[5] were founded. These pioneering bands took influence from a range of styles and genres such as hardcore punk, thrash metal and death metal. Journalists have dubbed records by the Dillinger Escape Plan, Botch and Coalesce to be milestones in the genre. During the early 2000s, metalcore started to gain more prominence, with several independent metal labels signing metalcore bands. This led to bands such as Killswitch Engage, All That Remains, Trivium, As I Lay Dying, Bullet for My Valentine, and Parkway Drive all rising to popularity.

Characteristics[edit]

Bullet for My Valentine performing live in 2006

Metalcore is known for its use of breakdowns. Metalcore singers typically perform screaming,[6] a vocal technique developed in the 1980s and characteristic of 1990s metalcore. Later metalcore bands often combine this with the use of standard singing, usually during the bridge or chorus of a song.[6] The death growl technique is also popular.

The instrumentation of metalcore includes heavy guitar riffs often utilizing percussive pedal tones, stop-start rhythm guitar,[7] double bass drumming, and breakdowns.[6] Drop guitar tunings are often used. Most bands use tuning ranging between Drop D and A, although lower tunings, as well as 7 and 8 string guitars, are not uncommon. Drummers typically use a lot of double bass technique and general drumming styles across the board. Blast beats are also heard at times. According to author James Giordano, "tempos in metalcore tend to be slower than those found in thrash metal".[8] Many later metalcore bands would include guitar solos in songs.

1990s metalcore bands generally had a strong influence from heavy hardcore. In the 2000s, metalcore bands began to be exclusively inspired by heavy metal.[6] Many 2000s metalcore bands were heavily inspired by melodic death metal and used strong elements of melodic death metal in their music.[9] Malcolm Dome of Revolver wrote that without melodic death metal band At the Gates' 1995 album Slaughter of the Soul, "modern American metalcore (everyone from As I Lay Dying and Killswitch Engage to All That Remains and the Black Dahlia Murder) wouldn't even exist."[10] Graham Hartmann of Loudwire wrote "Although metalcore broke in the early 2000s, listening to At the Gates' 1995 album feels like a Nostradamus-esque prediction of how metal would evolve."[11]

History[edit]

Precursors: 1980s[edit]

Agnostic Front were an early band to merge elements of metal with hardcore

Black Flag[12] and Bad Brains,[13] among the originators of hardcore punk, admired and emulated Black Sabbath. British hardcore punk groups such as Discharge and the Exploited also took inspiration from heavy metal.[14] The Misfits put out the Earth A.D. album, becoming a crucial influence on thrash metal.[15] Nonetheless, punk and metal cultures and music remained fairly separate through the first half of the 1980s. Cross-pollination between metal and hardcore eventually birthed the crossover thrash scene, which gestated at a Berkeley club called Ruthie's, in 1984.[16] The term "metalcore" was originally used to refer to these crossover groups.[17]

Hardcore punk groups Corrosion of Conformity,[18] D.R.I. and Suicidal Tendencies[19] played alongside thrash metal groups like Metallica and Slayer. This scene influenced the skinhead wing of New York hardcore, which also began in 1984, and included groups such as Cro-Mags, Murphy's Law, Agnostic Front[20] and Warzone.[21] The Cro-Mags were among the most influential of these bands, drawing equally from Bad Brains, Motörhead and Black Sabbath.[22] Cro-Mags also embraced some aspects of straight edge and Krishna consciousness.[23] Another New York metal-influenced straight edge group of this time period is the Crumbsuckers. The year 1985 saw the development of the hardcore breakdown, an amalgamation of Bad Brains' reggae and metal backgrounds,[24] which encouraged moshing. Agnostic Front's 1986 album Cause for Alarm showed a combination of hardcore punk with heavy metal influences.[25]

Origins: 1990s[edit]

Integrity in Tokyo, Japan in 2017

One of the earliest metalcore scene was that of Cleveland, Ohio. Fronted by Integrity and Ringworm, the sound of bands in the scene was distinctly darker than what the genre would become.[26] Integrity's debut album Those Who Fear Tomorrow (1991) merged hardcore with apocalyptic lyrics and metal's guitar solos and chugging riffs to create one of the primeval albums in the genre.[27] Revolver magazine writer Elis Enis stated that the album "influenced practically every breakdown that's been recorded since".[28] Whereas, Ringworm's debut The Promise (1993) made use of a style closer to crossover thrash while also putting a heavy emphasis on breakdowns.[29] Philadelphia's Starkweather were also an important early metalcore band, with their album Crossbearer (1992) which merged early metal's grooves and dark atmospheres with elements of hardcore.[30] Rorschach also pioneered a distinctly dissoncent and noise-influence niche into this early metalcore sound, which would go on to define noisecore and mathcore.[31][32]

In 1993, Earth Crisis released "Firestorm", a song which became one of the most influential in metalcore.[33] The band's militant vegan straight edge ethic and emphasis on chug riffs saw them immediately influence a wave of subsequent bands and gained coverage by major media outlets like CNN, CBS and MTV.[34] The EP the song was a part of was also one of the earliest releases by Victory Records who go on to be a defining part of the metalcore scene in the coming years, through releasing many of the style's most successful albums.[35]

Boston, Massachusetts too developed an early metalcore scene, led by Overcast who formed in 1990.[36] Much of this scene were based around Hydra Head Records, which was founded by Aaron Turner after moving to Boston. Converge were one of the earliest and most prominent groups from the city, formed in 1990.[37] Using Rorschach's music as their sonic template,[38] the band's experimental attitude, emotional lyrics and attention to dynamics led to them becoming one of the most influential bands in the genre.[30] Converge, along with Morris Plains, New Jersey's the Dillinger Escape Plan and Tacoma, Washington's Botch were three of the founding acts in the style's mathcore subgenre,[39] with Kansas City, Missouri's Coalesce and New Brunswick, New Jersey's Deadguy being prominent acts transitioning towards the style.[40] Converge's guitarist Kurt Ballou opened the recording studio GodCity Studio in 1998, and would go on to record many of the most influential subsequent hardcore records from the city.[37]

New York City's Merauder released their debut album Master Killer in 1996, merging the sounds of metalcore, earlier New York hardcore and the newly emerged beatdown hardcore style. Of the album, Revolver writer Elis Enis stated "any self-proclaimed 'metallic hardcore' band of the last 25 years is indebted to Master Killer's steel-toed stomp."[41] Along with All Out War, Darkside NYC and Confusion, Merauder were a part of a wave of bands defining a newer, increasingly metallic style of hardcore in New York that had long been one of the epicentres of the genre.[42] Long Island's Vision of Disorder were also a prevalent band in the scene, being one of the first bands to incorporate clean singing into the genre, which would soon become a staple, as well as incorporating elements of nu metal.[43] In a 2005 article by Billboard magazine, writer Greg Pato stated that "with seemingly every local teen waving the VOD banner circa the mid/late '90s, it seemed as though it was only a matter of time before VOD would become the band to take 'metalcore' to a massive audience".[44]

Metalcore band Hatebreed

Bridgeport, Connecticut's Hatebreed released their debut album Satisfaction is the Death of Desire in 1997. The album helped the band achieve underground success, selling 158,000 copies, according to Nielsen SoundScan,[45] and holds the record for Victory Record's best selling debut album.[46] The band's style merged classic hardcore with beatdown and metalcore,[47] while also overtly referencing metal bands like Slayer. In a 2015 Metal Hammer article, writer Stephen Hill stated "The difference between Hatebreed and many of their influences is that where a band like Madball were happy to co-exist with metal bands without feeling like they were part of the same scene, Hatebreed actively went out of their way to become the hardcore band metal fans listen to."[46] Other influential metalcore bands of the time include Shai Hulud,[48][49][50] Zao[51] and Disembodied.[52]

Orange County, California metalcore band Eighteen Visions contrasted the metalcore scene's usual hyper masculine aesthetic of "army and sports clothes" with "skinny jeans, eyeliner and hairstyles influenced by Orgy and Unbroken".[53] This visual style led to the band being called "fashioncore".[53][54] Jasamine White-Gluz of Exclaim! wrote that Eighteen Visions look "more like a boy band than a popular hardcore group. Critics tag the band for putting fashion at the centre of their music, but it adds a playful and interesting touch to a band that sounds much tougher than it looks."[55] A scene of bands in Orange County including Bleeding Through, Avenged Sevenfold and Atreyu continued this in Eighteen Visions' wake,[56][57][58] and influenced emo and scene fashion in the coming decade.[53]

As the decade drew to a close, a wave of metalcore bands began incorporating elements of melodic death metal into their sound. This formed an early version of what would become the melodic metalcore genre, with Shadows Fall's Somber Eyes to the Sky (1997), Undying's This Day All Gods Die (1999), Darkest Hour's The Prophecy Fulfilled (1999), Unearth's Above the Fall of Man (1999), Prayer for Cleansing's Rain in Endless Fall (1999) being some of the style's earliest releases.[59] CMJ writer Anthony Delia also credited Florida's Poison the Well and their first two releases The Opposite of December... A Season of Separation (1999) and Tear from the Red (2002) as "design[ing] the template for most of" the melodic metalcore bands to come.[60]

Mainstream success: 2000s[edit]

Converge's Jane Doe (2001) is one of the most critically acclaimed albums in metalcore

Converge's album was released on 4 September 2001 to universal critical and fan acclaim. The album influenced the development of the sound of other U.S. bands like Norma Jean and Misery Signals as well as international acts like Eden Maine, Johnny Truant and Beecher.[61] Blake Butler of Allmusic stated that Converge "put the final sealing blow on their status as a legend in the world of metallic hardcore" with the album, calling it "an experience -- an encyclopedic envelopment of so much at once."[62] Terrorizer Magazine named it their 2001 Album of the Year,[63] and it was named the greatest album of the 2000s by Noisecreep,[64] Sputnikmusic[65] and Decibel.[66]

Douglasville, Georgia's Norma Jean and the Chariot were both influential artists continuing metalcore's earlier sound into the 2000s.[27][67] Norma Jean's O' God, the Aftermath (2005) was Grammy award nominated for Best Recording Package[68] and the Chariot's Long Live (2010) was listed as one of Kerrang!'s "21 best U.S. metalcore albums of all time".[27] In contrast to these bands' dark approach to the genre, Buffalo, New York's Every Time I Die incorporated Southern rock elements and humor,[30] Kerrang! noted them as "shaped the cutting edge of modern metalcore."[69]

Melodic metalcore[edit]

In 2002, Killswitch Engage's Alive or Just Breathing reached number 37 on the Heatseekers Albums chart.[70] In 2004, Killswitch Engage's The End of Heartache,[71] Shadows Fall's The War Within,[72][73] and Atreyu's The Curse[74] peaked at numbers 21, 20, and 36 on the Billboard 200, respectively. Also, in 2006, Atreyu's third studio album, A Death-Grip On Yesterday peaked at number 9 on the Billboard 200, only to be followed up by 2007's Lead Sails Paper Anchor, which peaked at number 8.[74] Atreyu's 2002 debut album Suicide Notes and Butterfly Kisses, as of 3 July 2004, has sold 107,000 copies in the United States.[75] Killswitch Engage's 2004 album The End of Heartache[76] and 2006 album As Daylight Dies[77] were both certified gold by the Recording Industry Association of America (RIAA) in 2007 and 2009, respectively. Killswitch Engage's 2002 album Alive or Just Breathing, as of 3 July 2004, has sold 114,000 copies in the United States.[75] Unearth began to have success among heavy metal fans in 2004 with the release of their second album The Oncoming Storm, which peaked at number 1 on the Heatseekers Albums chart on 17 July 2004.[78] On that same day, the album peaked at number 105 on the Billboard 200. Unearth's 2006 album III: In the Eyes of Fire peaked at number 35 on the Billboard 200. The band's 2008 album The March peaked at number 45 on the Billboard 200.[79] Oncoming Storm, III: In the Eyes of Fire', and The March peaked at numbers 6, 2 and 3 on the Independent Albums chart, respectively.[80] Avenged Sevenfold's first two albums Sounding the Seventh Trumpet (2001) and Waking the Fallen (2003) were both metalcore albums. On the band's 2005 album City of Evil, Avenged Sevenfold moved away from metalcore and changed to a traditional heavy metal sound.[81] On 15 June 2005, Blabbermouth.net reported that Waking the Fallen has sold 172,253 copies in the United States, according to Nielsen SoundScan.[82] On 17 July 2009, Waking the Fallen was certified gold by the RIAA.[83]

As I Lay Dying live at With Full Force 2007

Trivium also achieved success among heavy metal fans when their 2005 album Ascendancy peaked at number 151 on the Billboard 200. Their albums The Crusade (2006) and Shogun (2008) peaked at numbers 25 and 23 on the Billboard 200, respectively.[84] Bleeding Through's 2006 album The Truth peaked at number 1 on the Independent Albums chart on 28 January 2006.[85] On that same day, the album peaked at number 48 on the Billboard 200.[86] Metalcore band As I Lay Dying also achieved success among heavy metal fans. The band's 2005 album Shadows Are Security peaked at number 35 on the Billboard 200[87] and sold 263,000 copies, according to Nielsen SoundScan.[88] As I Lay Dying's 2007 album An Ocean Between Us peaked at number 8 on the Billboard 200 in 2007.[87] As of April 2005, As I Lay Dying's 2003 album Frail Words Collapse sold 118,000 copies in the United States.[89] All That Remains achieved success with their 2006 album The Fall of Ideals, which, as of 1 October 2008, sold 175,000 copies in the United States.[90] All That Remains' 2008 album Overcome peaked at number 16 on the Billboard 200.[90] Overcome's song "Two Weeks" peaked at number 9 on the Mainstream Rock Songs chart on 16 May 2009.[91] Bullet for My Valentine's debut album The Poison was released in October 2005 in Europe and was released in February 2006 in the United States. On 26 July 2006, Blabbermouth.net reported that The Poison has sold 72,000 copies in the United States.[92] On 27 October 2007, Blabbermouth.net reported that The Poison has sold 336,000 copies in the United States.[93] On 3 April 2010, Billboard reported that The Poison sold 573,000 copies in the United States.[94] The Poison was certified gold by the RIAA on 30 January 2009.[95] Bullet for My Valentine's second album Scream Aim Fire, released in 2008, peaked at number 4 on the Billboard 200 and sold 360,000 copies in the United States.[94] Bullet for My Valentine's 2010 album Fever peaked at number 3 on the Billboard 200, selling 71,000 copies in the United States during its first week of release.[94] Fever's song "Your Betrayal" peaked at number 25 on the Bubbling Under Hot 100 chart.[96]

Diversification[edit]

Whitechapel on 2011 Summer Slaughter Tour

As the decade progressed, metalcore became increasingly tied to the social media Myspace, launched in 2003, and the scene subculture that was prominent on the platform.[97] Marketing through Myspace launched the careers of many of the era's most prominent bands including Bring Me the Horizon, Attack Attack!, Black Veil Brides, Bullet for My Valentine, Job For a Cowboy and Suicide Silence. Despite the stylistic distinctness between many of these groups' sounds they became encompassed by the terms "myspace-core" and "scene-core". Many went on to become fixtures at Warped Tour,[98] and Fearless Records's Punk Goes... cover series.[99]

Deathcore is a fusion of metalcore and death metal.[100][101][102] Deathcore is defined by breakdowns, blast beats and death metal riffs.[103] Bands may also incorporate guitar solos and even riffs that are influenced by metalcore.[100] New York-based death metal group Suffocation is credited as one of the main influences for the emergence of deathcore. Embodyments album "Embrace The Eternal" is a foundation for the modern Deathcore sound.[104] Some examples of deathcore bands are Suicide Silence,[105] Whitechapel,[105] Knights of the Abyss,[106] Carnifex[105] and Chelsea Grin.[107]

In 2006 and 2007, a wave of metalcore bands strongly influenced by death metal dubbed deathcore gained moderate popularity. Notable bands that brought the genre to the fore include Bring Me the Horizon and Suicide Silence. Suicide Silence's No Time to Bleed peaked at number 32 on the Billboard 200, number 12 on the Rock Albums Chart and number 6 on the Hard Rock Albums Chart,[108] while their album The Black Crown peaked at number 28 on the Billboard 200, number 7 on the Rock Albums Chart and number 3 on the Hard Rock Albums Chart.[108] After its release, Whitechapel's album This Is Exile sold 5,900 in copies, which made it enter the Billboard 200 chart at position 118.[109] Their self-titled album peaked at number 65 on the Canadian Albums Chart[110] and also at number 47 on the Billboard 200.[111] Their third album A New Era of Corruption sold about 10,600 copies in the United States in its first week of being released and peaked at position number 43 on the Billboard 200 chart.[112] Furthermore, Bring Me the Horizon won the 2006 Kerrang! Awards for Best British Newcomer after they released their 2006 debut record Count Your Blessings.[113] However, Bring Me the Horizon abandoned the deathcore genre after the release of this album.[114] San Diego natives Carnifex, witnessed success with their first album Dead in My Arms, selling 5,000 copies with little publicity. On top of their non-stop touring and methodical songwriting resulted in Carnifex quickly getting signed to label Victory Records.[115] Lastly, Australian deathcore band Thy Art Is Murder debuted at number 35 on the ARIA Charts with their album Hate (2012)[116] making them the first extreme metal band to ever reach the Top 40 of this chart.[117]

Asking Alexandria at Mayhem Festival 2012

Electronicore's merger of metalcore with various electronic music styles emerged in the 2000s. One of the earliest contributors to the sound was St Albans band Enter Shikari.[118] Their debut album Take to the Skies peaked at number on the Official UK Album Chart selling 28,000 copies in its first week and was certified Gold in the UK after selling over 100,000 copies. It was also the first album to achieve a significant chart success for a new act operating outside the traditional label system.[119] The group received international radio airplay and a substantial number of musical awards, from Kerrang!, NME, Rock Sound and the BT Digital Music Awards.[120][121][122] Their second album Common Dreads was released in June 2009 and debuted on the UK Albums Chart at 16.[123] Columbus, Ohio's Attack Attack! gained significant notoriety with their Enter Shikari-influenced sound. The band's song for "Stick Stickly", the lead single from Someday Came Suddenly (2008) went viral online for its use of autotune and synths, with the members' squatting "crab walk" stance during the music video giving way to the crabcore meme.[124] Warren, Michigan band I See Stars's debut album 3-D debuted at number 176 on the Billboard 200, number 5 on Top Heatseekers, and number 22 on Top Independent Albums.[125] The Devil Wears Prada's 2011 album Dead Throne (which sold 32,400 in its first week)[126] reached number 10[127] on the Billboard 200 chart. Asking Alexandria also achieved success, with their 2009 song "The Final Episode (Let's Change the Channel)" being certified gold by the RIAA.[128] The band's 2011 album Reckless & Relentless peaked at number 9 on the Billboard 200.[129]

Continued success: 2010s–present[edit]

Bring Me the Horizon's 2013 album Sempiternal was highly influential on metalcore in the 2010s

Architects and Bring Me the Horizon spearheaded the British metalcore scene of the late 2000s and early 2010s.[130] Architects had begun as a mathcore band on Nightmares (2006) before moving into metalcore by the release of Ruin (2007).[131] Hysteria magazine credited the band's long time vocalist Sam Carter with reviving high pitched screamed vocals in metalcore and "influencing an entire generation of acts such as Polaris, In Hearts Wake, Void of Vision, Invent, Animate, Imminence...the list goes on", as well as popularising the "blegh" adlib, which subsequently became commonplace in the genre.[130] Bring Me the Horizon's third album There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret. (2010), saw the band incorporate electronica, classical music and pop music into their metalcore style,[132] a trend then continued further on Sempiternal (2013), which also embraced elements of nu metal.[133] The Latter peaked at number 3 on the UK albums chart,[134] and was one of the earliest releases by a UK metalcore band on a major label, through RCA Records.[135] Following this, many bands in the metalcore scene began to emulate the sound these albums.[133] The band's massive mainstream success led publications such as the Guardian and the Independent to accredit them as "the new Metallica",[136][137] and Metal Hammer writer Stephen Hill to call Sempiternal "this generation's definitive metal album".[133]

The nu metal elements present on Sempiternal, as well as Suicide Silence's The Black Crown (2012), led to a wave of bands in the mid-2010s taking influence from nu metal.[138] My Ticket Home's Strangers Only (2013) was a notable precedent of this wave, seeing a previously established metalcore act merge their style with dark, nu metal influence to help establish the coming nu metalcore sound.[139] Issues' merger of nu metal, metalcore and contemporary R&B gained them significant commercial success, with a number of publications crediting them as ushering a new wave of nu metal.[140][141] Their debut self-titled album (2014) peaked at peaked at number nine on the Billboard 200 chart[142] and their second album Headspace (2016) reached number one on the Top Alternative Albums chart.[143] Furthermore, Bring Me the Horizon's fifth album That's the Spirit (2015) saw the band fully embrace nu metal,[144] which peaked at number 2 in both the UK and US.[145][146] In the following years Emmure,[147][148][149] Of Mice & Men,[150][151][152] Sworn In and DangerKids had all embraced the genre,[138] and by 2016, nu metalcore had solidified itself as a movement.[153]

Architects were one of the most prominent metalcore bands in the 2010s

Architect's All Our Gods Have Abandoned Us (2016) was released to critical acclaim, with Metal Hammer writer Stephen Hill called it "as close to a perfect metal record as one can imagine". The following year, they released the single "Doomsday", their first release since the death of the band's founding guitarist Tom Searle. In the years following the single's release, the song's sound became widely imitated within the metalcore scene,[131] particularly the song's introduction guitar riff.[130]

As the decade drew to a close, a new wave of bands in the genre emerged who harkened back to the metallic hardcore sound of bands from the 1990s. Vein.fm,[154] Code Orange, Knocked Loose, Varials, Jesus Piece, Counterparts and Kublai Khan were all notable groups who gained significant success within the genre at the time.[155] Code Orange saw critical acclaim and success with their Roadrunner Records debut Forever in 2017. Forever's title track was also nominated Grammy for Best Metal Performance in 2018.[156][157][158][159] It too embraced the influence of nu metal and according to PopMatters writer Ethan Stewart, led to nu metalcore becoming "one of the most prominent flavors of contemporary metal".[153] Knocked Loose gained significant attention after their song "Counting Worms" from their album Laugh Tracks (2016) became a meme due to its "arf arf" mosh call.[160] The band's 2019 second album A Different Shade of Blue also received critical and commercial success.[161][162]

Nu metalcore maintained its prominence into the 2020s with Tetrarch and Tallah gaining notability.[163] Loathe's second album I Let It In and It Took Everything (2020) saw critical acclaim, and was consistently praised for expanding the scope of metalcore by incorporating elements of nu metal, shoegaze, emo, post-rock, progressive metal and industrial music.[164][165][166] The band's use of the Fender Bass VI guitar, which tunes to an octave below a standard tuning guitar, became widely sought after following the album's release.[167] Publications credited Spiritbox similarly with Metal Hammer calling them "post-metalcore" and "genre-fluid".[168] The band's 2020 single "Holy Roller" reached the Top 40 on the Billboard Mainstream Rock chart,[169] and their debut album Eternal Blue was named the year's best rock or metal album by Loudwire[170] and metalcore album by Metal Hammer.[171]

Around the same time, a number of bands gained prominence in the scene that revived the sound of groups from the mid-to-late-2000s, fronted by Static Dress, SeeYouSpaceCowboy, If I Die First and CrazyEightyEight. This movement grew out of both the hardcore scene and the mainstream success that the emo rap scene gained the late-2010s.[172]

Formed in 2015, Bad Omens' third album The Death of Peace of Mind (2022) was the band's commercial breakthrough after viral success of the album's second single "Just Pretend" on TikTok[173] which then topped the Billboard Mainstream Rock chart.[174] By March 2023, the album had received 20 million streams on Spotify, leading to Metal Hammer calling them "the biggest metalcore band in a generation."[173] Bring Me the Horizon's Post Human: Survival Horror (2020)[175] and Architects' For Those That Wish to Exist (2021) both also reached number one in the UK album charts.[176]

See also[edit]

References[edit]

  1. ^ ROA, RAY. "WTF is sasscore, and why is SeeYouSpaceCowboy bringing it to St. Petersburg's Lucky You Tattoo?". Creative Loafing. Retrieved 9 February 2019.
  2. ^ Chaudhury, Aliya (14 April 2021). "Why hyperpop owes its existence to heavy metal". Kerrang!. Retrieved 14 August 2021.
  3. ^ "Horse the Band, Super 8 Bit Brothers, Endless Hallway, and Oceana | Music | Events | the A.V. Club Chicago". www.avclub.com. Archived from the original on 15 March 2012. Retrieved 17 January 2022.
  4. ^ "New 8-bit metalcore album revives nintendocore with brutal N64 theme—listen". Alternative Press. 17 July 2016.
  5. ^ Bennett, J (June 2008). "Converge's "Jane Doe"". Revolver.
  6. ^ a b c d Bowar, Chad. "What Is Metalcore?". liveabout.com. Retrieved 16 November 2014.
  7. ^ "Wristmeetrazor Channel Vintage Metalcore Energy on Misery Never Forgets". MetalSucks. 9 January 2019. Retrieved 8 December 2020.
  8. ^ Giordano 2016, p. 141.
  9. ^ Crane, Matt (2 September 2014). "12 melodic death-metal songs any self-respecting metalcore fan should like". Alternative Press. Retrieved 30 November 2019.
  10. ^ Dome, Malcolm (14 November 2018). "How At the Gates Changed Metal Forever With 'Slaughter of the Soul'". Revolver. Retrieved 30 November 2019.
  11. ^ Hartmann, Graham (21 January 2014). "Will At the Gates Release a New Album in 2014?". Loudwire. Retrieved 30 November 2019.
  12. ^ Blush, American Hardcore, part 2, "Thirsty and Miserable", p. 63, 66.
  13. ^ Andersen, Mark and Mark Jenkins (2003). Dance of Days: Two Decades of Punk in the Nation's Capital. "Positive Mental Attitude". p. 27. Akashic Books. ISBN 1-888451-44-0.
  14. ^ Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980–1984. Cherry Red Books. p. 5. ISBN 1-901447-24-3.
  15. ^ Blush, "Hits from Hell", American Hardcore, p. 204.
  16. ^ Blush, p. 115.
  17. ^ Felix von Havoc, Maximum Rock'n'Roll #198 Archived 5 June 2008 at the Wayback Machine. Access date: 20 June 2008.
  18. ^ Blush, p. 193.
  19. ^ Christe, Ian: Sound of the Beast: The Complete Headbanging History of Heavy Metal (2003), p. 184.
  20. ^ Blush, p. 186.
  21. ^ Blush, p. 188.
  22. ^ Blush, p. 189.
  23. ^ Blush, p. 189. "Cro-Mags were the first band to attract both Skinheads and Metalheads audiences; their music at the point where Hardcore nihilism met Metal power."
  24. ^ Blush, p. 193. "Howie Abrams (NYHC scene): Mosh style was slower, very tribal – like a Reggae beat adapted to Hardcore. (...) It was an outbreak of dancing with a mid-tempo beat driven by floor tom and snare."
  25. ^ Blush, p. 192.
  26. ^ Schafer, Joseph (23 January 2019). "States Of Metal: Ohio Thrives On Grit And Determination". Kerrang!. Retrieved 29 August 2023.
  27. ^ a b c Young, Simon (9 June 2020). "The 21 best U.S. metalcore albums of all time". Kerrang!. Retrieved 29 August 2023.
  28. ^ Enis, Eli (16 August 2021). "10 MOST INFLUENTIAL METALCORE ALBUMS OF ALL TIME". Revolver. Retrieved 29 August 2023.
  29. ^ Martins, Jorge. "Top 10 Best '90s Proto-Metalcore Albums That Shaped the Genre". Ultimate Guitar. Retrieved 29 August 2023.
  30. ^ a b c Martins, Jorge. "Top 10 Most Important Moments In the Evolution of Metalcore". Ultimate Guitar. Retrieved 29 August 2023.
  31. ^ McKenty, Finn (7 June 2010). "The History of Metalcore/Screamo". MetalSucks. Retrieved 29 August 2023.
  32. ^ Breiham, Tom (6 June 2022). "Watch Members Of Converge, The Dillinger Escape Plan, & More Cover Botch's Mathcore Classic "To Our Friends In The Great White North"". Stereogum. Retrieved 29 August 2023.
  33. ^ Marwood, Lance (5 June 2023). "Earth Crisis: "People really take the bait when it comes to the divide and conquer propaganda."". Retrieved 29 August 2023.
  34. ^ Downey, Ryan. "Biography Earth Crisis". AllMusic. Retrieved 29 August 2023.
  35. ^ Bellino, Emily (21 October 2019). "Five Times Victory Records Ruled". Decibel. Retrieved 29 August 2023.
  36. ^ Kennelty, Greg (3 March 2023). "LISTSUNEARTH Names The 11 Best Lesser-Known Metalcore Classics, Announces New Album". Retrieved 29 August 2023.
  37. ^ a b Hill, Stephen (March 2020). "How Boston hardcore changed rock music". Metal Hammer. Retrieved 7 July 2021.
  38. ^ Breihan, Tom (7 January 2010). "5-10-15-20: Converge's Kurt Ballou". Pitchfork. Retrieved 29 August 2023.
  39. ^ Luis, Michael (12 June 2019). "A Brief History of Mathcore In Ten Albums". Bandcamp Daily. Retrieved 29 August 2023.
  40. ^ Smith-Engelhardt, Joe (21 January 2021). "20 mathcore albums that made the genre what it is today". Alternative Press. Retrieved 29 August 2023.
  41. ^ Enis, Eli (16 August 2021). "10 MOST INFLUENTIAL METALCORE ALBUMS OF ALL TIME". Revolver. Retrieved 29 August 2023.
  42. ^ Enis, Eli (22 July 2019). "Metal And Hardcore Legends Remember All Out War's For Those Who Were Crucified". Kerrang!. Retrieved 29 August 2023.
  43. ^ McKenty, Finn (8 April 2011). "LET'S TALK ABOUT VISION OF DISORDER!". MetalSucks. Retrieved 29 August 2023.
  44. ^ Prato, Greg. "Bloodsimple / Sept. 24, 2005 / Levittown, N.Y. (Club Voltage)". Billboard. Retrieved 29 August 2023.
  45. ^ Reesman, Bryan (3 April 2004). "Victory Scores With Indie Grit". Billboard. Vol. 116, no. 14. Nielsen Business Media, Inc. p. 22. ISSN 0006-2510. Retrieved 29 November 2019.
  46. ^ a b Hill, Stephen (October 2015). "In Praise Of... Hatebreed – Satisfaction Is The Death Of Desire". Metal Hammer. Retrieved 29 August 2023.
  47. ^ Richardson, Jake (12 January 2023). "10 Metalcore Bands Who Don't (Or Barely) Use Clean Vocals". Loudwire. Retrieved 24 August 2023.
  48. ^ "Kill Your Stereo – Reviews: Shai Hulud – Misanthropy Pure". Archived from the original on 27 March 2012. Retrieved 13 November 2009. Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band's earliest release is widely credited with influencing an entire generation of musicians.
  49. ^ "Shai Hulud – Hearts Once Nourished with Hope and Compassion Review". Sputnikmusic. Retrieved 11 July 2012. Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore. So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them, because of how perfect they blend hardcore and metal.
  50. ^ "In at the Deep End Records". Regardless of whether or not you liked Shai Hulud, it is undeniable that Hearts Once Nourished with Hope and Compassion was an oft-imitated and highly influential release in the mid-to-late nineties.
  51. ^ "Metal Hammer – The Top 10 best proto-metalcore records". 22 July 2020. Zao is one of the best examples of early metalcore, and their influence on the genre is undeniable. The guitar work, the high throaty style of the vocals, and the band aesthetics are all pieces that would have great influence on bands down the road..
  52. ^ Sharpe-Young, p. 119
  53. ^ a b c Stewart, Ethan (25 May 2021). "From Hardcore to Harajuku: The Origins of Scene Subculture". PopMatters. Archived from the original on 25 May 2021. Retrieved 8 June 2021.
  54. ^ Wiederhorn, Jon; Turman, Katherine (17 July 2013). "How Eighteen Visions Became The OC Metal Band Known For Inventing "Fashioncore"". OC Weekly. Archived from the original on 4 June 2021. Retrieved 8 June 2021.
  55. ^ White-Gluz, Jasamine (1 June 2003). "Lamb of God / Chimaira / Eighteen Visions / Atreyu Rainbow Montreal QC - May 16, 2003". Exclaim!. Archived from the original on 8 June 2021. Retrieved 8 June 2021.
  56. ^ Richman, Jesse (24 January 2018). "What is Emo, Anyway? We Look at History to Define a Genre". Alternative Press. Archived from the original on 8 June 2021. Retrieved 8 June 2021.
  57. ^ Deneau, Max (1 December 2005). "Bleeding Through Wolves Among Sheep". Exclaim!. Archived from the original on 8 June 2021. Retrieved 8 June 2021.
  58. ^ "Easy, Breezy, Brutal: Three Major Movements in Heavy Metal Makeup". Cjlo. 10 February 2014. Archived from the original on 8 June 2021. Retrieved 8 June 2021.
  59. ^ Sfetcu, Nicolae (7 May 2014). The Music Sound. While death metal and hardcore had always intermingled to an extent, the first clearly identifiable instances of melodic Swedish metal being combined with hardcore seem to have sprung almost simultaneously, with Undying's This Day All Gods Die, Darkest Hour's The Prophecy Fulfilled, Prayer for Cleansing's The Rain in Endless Fall, Shadows Fall's With Somber Eyes to the Sky, and Unearth's Above the Fall of Man all being released within a year of each other (1998-99). It is unclear who first got the idea to combine the two styles. Darkest Hour had released an EP called The Misanthrope in 1996 which arguably contained elements of their later sound but was for the most part aggro-hardcore in the vein of Damnation a.d. On the other hand, Day of Suffering's 1997 album The Eternal Jihad is cited as an influence for many of the North Carolina bands that followed, such as Undying and Overcast is seen as having started the genre in Massachusetts.
  60. ^ Delia, Anthony (7 July 2003). "CMJ Magazine". No. 821. CMJ. Retrieved 27 April 2018. Poison The Well designed the template for most of today's melodic metalcore acts, spawning countless copycats in the process. The band's last two efforts, 1999's The Opposite Of December...A Season Of Separation and 2002's Tear From The Red, are genre essentials, but no one is going to argue that those albums were constructed of memorable parts, rather than complete, efficiently executed songs; you knew when to rock out and when to sing along.
  61. ^ Hill, Stephen (5 April 2017). "Converge's Jane Doe: revisiting the album that changed hardcore forever". Metal Hammer. Retrieved 1 September 2023.
  62. ^ "Jane Doe - Converge". allmusic.com. Retrieved 15 September 2020.
  63. ^ J. Bennett, "Who's That Girl?", Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces, Albert Mudrian (ed.), Da Capo Press, p. 331.
  64. ^ "Best Albums of the 2000s". Noisecreep. 2 December 2009. Retrieved 1 February 2017.
  65. ^ "Sputnikmusic - Top 100 Albums of the Decade (10-1) « Staff Blog". www.sputnikmusic.com. Retrieved 1 February 2017.
  66. ^ "Decibel – The Top 100 Greatest Metal Albums Of The Decade". New Music Excess. 28 January 2010. Retrieved 1 February 2017.
  67. ^ "12 influential early 2000s metalcore albums that shaped the genre". Alternative Press. 29 April 2021. Retrieved 1 September 2023.
  68. ^ Hickie, James (3 November 2019). "Album Review: Norma Jean – All Hail". Kerrang!. Retrieved 1 September 2023.
  69. ^ Law, Sam (19 January 2022). "All Structures Are Unstable: An ode to Every Time I Die". Kerrang! Magazine. Retrieved 24 January 2022.
  70. ^ "Killswitch Engage Chart History (Heatseekers Albums)". Billboard. Retrieved 29 November 2019.
  71. ^ "Killswitch Engage Chart History (Billboard 200)". Billboard. Retrieved 29 November 2019.
  72. ^ "Shadows Fall to Co-Headline Sounds of the Underground". Blabbermouth.net. Archived from the original on 19 August 2011. Retrieved 11 July 2012.
  73. ^ "Shadows Fall (Chart History)". Billboard. Retrieved 29 November 2019.
  74. ^ a b "Atreyu Chart History". Billboard. Retrieved 29 November 2019.
  75. ^ a b Christman, Ed (3 July 2004). "Atreyu Gets Victory Plan". Billboard. Vol. 116, no. 27. Nielsen Business Media, Inc. p. 41. ISSN 0006-2510. Archived from the original on 20 February 2021. Retrieved 29 November 2019.
  76. ^ "American album certifications – Killswitch Engage – The End of Heartache". Recording Industry Association of America.
  77. ^ "American album certifications – Killswitch Engage – As Daylight Dies". Recording Industry Association of America.
  78. ^ "Unearth Chart History (Heatseekers Albums)". Billboard. Retrieved 29 November 2019.
  79. ^ "Unearth Chart History (Billboard 200)". Billboard. Retrieved 29 November 2019.
  80. ^ "Unearth Chart History (Independent Albums)". Billboard. Retrieved 29 November 2019.
  81. ^ Weiderhorn, Joe (9 June 2005). "Avenged Sevenfold Salute Dimebag, Shun Metalcore On Evil". MTV. Retrieved 29 November 2019.
  82. ^ "Avenged Sevenfold's 'City Of Evil' Enters Billboard Chart At No. 30". Blabbermouth.net. 15 June 2005. Archived from the original on 20 September 2020. Retrieved 29 November 2019.
  83. ^ "American album certifications – Avenged Sevenfold – Waking the Fallen". Recording Industry Association of America.
  84. ^ "Trivium Chart History". Billboard. Retrieved 29 November 2019.
  85. ^ "Bleeding Through Chart History (Independent Albums)". Billboard. Retrieved 29 November 2019.
  86. ^ "Bleeding Through Chart History (Billboard 200)". Billboard. Retrieved 29 November 2019.
  87. ^ a b "As I Lay Dying". Billboard. Retrieved 29 November 2019.
  88. ^ Titus, Christa (28 July 2007). "As I Stay Touring". Billboard. Vol. 119, no. 30. Nielsen Business Media, Inc. p. 46. ISSN 0006-2510. Archived from the original on 20 February 2021. Retrieved 29 November 2019.
  89. ^ "AS I LAY DYING: New Album Limited Edition To Include Bonus DVD". Blabbermouth.net. 28 April 2005. Archived from the original on 3 December 2020. Retrieved 29 November 2019.
  90. ^ a b "ALL THAT REMAINS: Behind-The-Scenes Footage From 'Two Weeks' Video Shoot Available". Blabbermouth.net. 1 October 2008. Retrieved 29 November 2019.
  91. ^ "All That Remains Chart History (Mainstream Rock Songs)". Billboard. Retrieved 29 November 2019.
  92. ^ "BULLET FOR MY VALENTINE: 'The Poison' Reissue Detailed". Blabbermouth.net. 26 July 2006. Archived from the original on 3 December 2020. Retrieved 29 November 2019.
  93. ^ "BULLET FOR MY VALENTINE Frontman Says New Album Will Blow 'The Poison' Out Of The Water". Blabbermouth.net. 27 October 2007. Archived from the original on 3 December 2020. Retrieved 29 November 2019.
  94. ^ a b c "Big RED". Billboard. Vol. 122, no. 13. Nielsen Business Media, Inc. 3 April 2010. p. 14. ISSN 0006-2510. Retrieved 29 November 2019.
  95. ^ "American album certifications – Bullet for My Valentine – The Poison". Recording Industry Association of America.
  96. ^ "Bullet for My Valentine (Bubbling Under Hot 100)". Billboard. Retrieved 29 November 2019.
  97. ^ "How Corporations Trapped the MySpace Scene in a Literal Bubble". Consequence. 17 August 2023. Retrieved 1 September 2023.
  98. ^ Irizarry, Katy (20 June 2019). "16 Bands Who Got Their Start on MySpace". Loudwire. Retrieved 1 September 2023.
  99. ^ Richardson, Jake (24 September 2019). "20 era-defining MySpace bands: Where are they now?". Kerrang!. Retrieved 1 September 2023.
  100. ^ a b "lambgoat.com". Retrieved 11 July 2012. This is deathcore. This is what happens when death metal and hardcore, along with healthy doses of other heavy music styles, are so smoothly blended...
  101. ^ Lee, Cosmo (29 October 2007). "metalinjection.net". Retrieved 11 November 2008. ...All Shall Perish... Alienacja (Poland), Despised Icon (Montreal) and Whitechapel (Knoxville, TN)... They're all textbook 'deathcore', fusing death metal and hardcore punk.
  102. ^ Rivadavia, Eduardo. "Heaven Shall Burn". AllMusic. Retrieved 31 May 2008. Munich, Germany's Heaven Shall Burn specialize in highly controversial and politicized death metal fused with hardcore; a hybrid style often referred to as death-core.
  103. ^ Lee, Cosmo. "Doom". AllMusic. Rovi Corporation. Retrieved 25 March 2011.
  104. ^ Lee, Cosmo (September 2009). "Suffocation reclaim their rightful place as kings of death metal". Decibel Magazine. No. 59. One of Suffocation's trademarks, breakdowns, has spawned an entire metal subgenre: deathcore.
  105. ^ a b c Wiederhorn, Jon (September 2008). "Dawn of the Deathcore". Revolver. No. 72. Future US. pp. 63–66. ISSN 1527-408X. Retrieved 3 July 2009.[permanent dead link]
  106. ^ Sharpe-Young, Garry. "Knights of the Abyss". MusicMight. Archived from the original on 18 September 2009. Retrieved 10 July 2009.
  107. ^ Henderson, Alex. "Desolation of Eden review". AllMusic. Macrovision. Retrieved 4 April 2010.
  108. ^ a b "Suicide Silence Album & Songs Chart History". Billdboard. Billboard.com. Retrieved 5 January 2013.
  109. ^ "Whitechapel's This Is Exile Lands on Billboard Chart". Blabbermouth. 16 July 2008. Archived from the original on 3 August 2008. Retrieved 5 January 2013.
  110. ^ "Albums Charts". Archived from the original on 26 December 2004. Retrieved 5 January 2013.{{cite web}}: CS1 maint: unfit URL (link)
  111. ^ "Whitechapel's Chart History". Billboard.com. Retrieved 5 January 2013.[permanent dead link]
  112. ^ "Roadrunner Records Page Not Found". Roadrunner Records Official Website. Archived from the original on 26 May 2017. Retrieved 6 May 2017. {{cite web}}: Cite uses generic title (help)
  113. ^ "Kerrang! Awards 2006 Blog: Best British Newcomer".
  114. ^ "Bring Me The Horizon // Drowned In Sound". Drowned In Sound. Archived from the original on 21 September 2013. Retrieved 20 March 2012.
  115. ^ "Event – MassConcerts". www.massconcerts.com. Archived from the original on 31 July 2019. Retrieved 6 May 2017.
  116. ^ Steffen Hung (13 April 2015). "Australian charts portal". Australian-charts.com. Retrieved 17 April 2015.
  117. ^ Eliezer, Christie. "Thy Art Is Murder break ARIA record - Music Industry - The Music Network". Archived from the original on 26 September 2013. Retrieved 27 July 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  118. ^ May, Adam (9 March 2021). "Enter Shikari: The award-winning British rock band who formed in Hertfordshire". Hertfordshire Mercury. Retrieved 1 September 2023.
  119. ^ Lars Brandle. "U.K.'s Enter Shikari Scores Without Label". Billboard. Retrieved 22 November 2016.
  120. ^ "Kerrang! Awards 2006 Blog: Best British Newcomer". Kerrang.typepad.com. Retrieved 12 March 2011.
  121. ^ Mike Diver. "NME Awards: winners in full". Archived from the original on 16 October 2012. Retrieved 11 September 2012.
  122. ^ "Muse win BT Digital Music Award". NME.
  123. ^ "Radio 1 – The Official Chart with Reggie Yates – The Official UK Top 40 Albums Chart". BBC. Retrieved 12 March 2011.
  124. ^ "The True Story Behind the Most Hated Metal Video of All Time". Kerrang!. 4 June 2019. Retrieved 31 July 2019.
  125. ^ "I See Stars album charting". Allmusic.com. Retrieved 26 April 2011.
  126. ^ "Lady Antebellum 'Own' the Billboard 200 with Second No. 1 Album". Billboard.com. 14 September 2009. Retrieved 20 October 2011.
  127. ^ "The Devil Wears Prada Post A Video Update For New Album". Metal Insider. 31 May 2013.
  128. ^ "American single certifications – Asking Alexandria – Final Episode (Let's Change the Channel)". Recording Industry Association of America.
  129. ^ "Asking Alexandria Chart History (Billboard 200)". Billboard. 22 January 2015. Retrieved 29 November 2019.
  130. ^ a b c Callan, Alex (9 February 2021). "How Architects Became One Of The Biggest Metal Bands In The World". Retrieved 15 May 2021.
  131. ^ a b Hill, Stephen; Alderslade, Merlin (15 August 2023). "Every Architects album ranked from worst to best". Metal Hammer. Retrieved 31 August 2023.
  132. ^ Sterdan, Darryl (18 November 2010). "Horizon broadens for young band". QMI Agency. Canoe Inc. Archived from the original on 9 December 2012. Retrieved 20 March 2012.{{cite web}}: CS1 maint: unfit URL (link)
  133. ^ a b c Hill, Stephen (31 March 2023). "This is Sempiternal: how Bring Me The Horizon made this generation's definitive metal album". Metal Hammer. Retrieved 31 August 2023.
  134. ^ "Bring Me The Horizon". Official Charts. Retrieved 15 May 2021.
  135. ^ "BRING ME THE HORIZON ANNOUNCE NEW RECORD LABEL". RockSound. Retrieved 15 May 2021.
  136. ^ Brey, Elisa (28 November 2014). "Bring me the Horizon, interview: Could the band become the new Metallica?". The Independent. Archived from the original on 9 May 2022. Retrieved 15 May 2021.
  137. ^ Hann, Michael (4 April 2013). "Bring Me The Horizon: 'We'll never sell out arenas'". The Guardian. Retrieved 15 May 2021.
  138. ^ a b "Thrash Hits - Nu metalcore". Archived from the original on 15 March 2017.
  139. ^ Sievers, Alex. "From The Editor: The Best Releases Of The 2010s". Retrieved 31 August 2023.
  140. ^ "Issues: The Band That (Finally) Gets Nu-Metal Right". MetalSucks. 17 April 2013. Retrieved 27 June 2014.
  141. ^ "Are Issues Ushering In A New Wave of Nü-Metal?". Metal Injection. Archived from the original on 4 March 2016. Retrieved 27 June 2014.
  142. ^ "Chart History Issues". Billboard. Retrieved 31 August 2023.
  143. ^ "Chart History Issues". Billboard. Retrieved 31 August 2023.
  144. ^ Bakare, Lanre (10 September 2015). "Bring Me the Horizon: That's the Spirit review – nu-metal reanimators". The Guardian. Retrieved 31 August 2023.
  145. ^ "Chart History Bring Me the Horizon". Billboard. Retrieved 31 August 2023.
  146. ^ "Official Albums Charton 18/9/2015 18 September 2015 - 24 September 2015". Official Charts. Retrieved 31 August 2023.
  147. ^ "Eternal Enemies - Emmure". Allmusic.
  148. ^ "Guest Insider: Mike Gitter Reviews Emmure's 'Felony'". Metal Insider. 10 September 2009. Retrieved 27 June 2014.
  149. ^ "Emmure - Slave to the Game Review". DecoyMusic.com. Archived from the original on 24 March 2014. Retrieved 27 June 2014.
  150. ^ "Of Mice & Men - Restoring Force (Album review)". Crypticrock.com. 7 February 2014.
  151. ^ "Of Mice & Men - Restoring Force (2014)". Megusta Reviews.
  152. ^ "Review: Of Mice & Men - Restoring Force". The Monolith. Archived from the original on 1 July 2017. Retrieved 16 July 2017.
  153. ^ a b Stewart, Ethan (31 August 2021). "SLIPKNOT TRANSFORMED MODERN METAL WITH 'IOWA' 20 YEARS AGO". PopMatters. Retrieved 7 September 2021.
  154. ^ Krovatin, Chris (12 November 2018). "6 Underground Metalcore Bands Redefining The Scene Right Now". Kerrang!. Retrieved 29 February 2020.
  155. ^ Shine, Malachai (26 October 2017). "7 Metalcore Revival Bands You Need To Know About". The Odyssey Online. Retrieved 29 February 2020.
  156. ^ R. Weingarten, Christopher; Shteamer, Hank; Bienstock, Richard; Grow, Kory; Epstein, Dan (6 December 2017). "20 Best Metal Albums of 2017". Rolling Stone. Retrieved 1 March 2020.
  157. ^ Loudwire Staff (27 November 2017). "25 Best Metal Albums of 2017". Loudwire. Retrieved 1 March 2020.
  158. ^ "Code Orange". GRAMMY.com. 19 November 2019. Retrieved 1 March 2020.
  159. ^ Exposito, Suzy (13 February 2018). "Code Orange: Metal's Rising Stars on Their Grammy Nod, Breakthrough Year". Rolling Stone. Retrieved 1 March 2020.
  160. ^ Towers, Julian. "Knock Their Socks Loose". Retrieved 31 August 2023.
  161. ^ Epstein, Dan; Bennett, J.; Appleford, Steve; Navison, Will; Enis, Eli; Hill, John; Pessaro, Fred; Chapstick, Kelsey (25 November 2019). "25 Best Albums of 2019". Revolver. Retrieved 29 February 2020.
  162. ^ Carter, Emily; Garner, George; Law, Sam; Longbottom, John; Mackinnon, James; McLaughlin, David; Morton, Luke; Pearlman, Mischa; Ruskell, Nick; Shepherd, Tom; Thomas, Olly; Travers, Paul (31 December 2019). "The 50 Best Albums Of 2019". Kerrang!. Retrieved 29 February 2020.
  163. ^ Enis, Eli (18 July 2022). "10 BANDS LEADING THE NEW WAVE OF NU-METAL". Revolver. Retrieved 1 September 2023.
  164. ^ "Loathe take prog-metalcore to dazzling heights on new single". Alternative Press. 20 September 2019. Retrieved 1 September 2023.
  165. ^ Yoo, Noah. "I Let It In and It Took Everything". Pitchfork. Retrieved 1 September 2023.
  166. ^ "FAN POLL: 5 BANDS MOST LIKELY TO BREAKOUT IN 2020". Revolver. 23 January 2020. Retrieved 1 September 2023.
  167. ^ Astley-Brown, Michael (31 March 2021). "How an oddball baritone became one of the most valuable Squier guitars of all time". Guitar World. Retrieved 1 September 2023.
  168. ^ Summan, Yasmine (16 December 2020). "Spiritbox: the post-metalcore trio set to own 2021". Metal Hammer. Retrieved 1 September 2023.
  169. ^ Morin, Max. "Spiritbox Want to Be the "2 Chainz of Metalcore"". Exclaim!. Retrieved 1 September 2023.
  170. ^ "The 45 Best Rock + Metal Albums of 2021". Loudwire. 10 December 2021. Archived from the original on 10 December 2021. Retrieved 10 December 2021.
  171. ^ Hobson, Rich (2 December 2021). "The top 10 metalcore albums of 2021". Metal Hammer. Archived from the original on 2 December 2021. Retrieved 2 December 2021.
  172. ^ Stewart, Ethan (25 May 2021). "From Hardcore to Harajuku: the Origins of Scene Subculture". PopMatters. Retrieved 25 May 2021.
  173. ^ a b Hill, Stephen (17 March 2023). "No one expected Bad Omens to become the biggest metalcore band in a generation. So what the hell is going on?". Metal Hammer. Retrieved 1 September 2023.
  174. ^ "Chart History Bad Omens". Billboard. Retrieved 1 September 2023.
  175. ^ "Official Albums Charton 29/1/2021 29 January 2021 - 4 February 2021". Official Charts. Retrieved 1 September 2023.
  176. ^ Loftin, Steven. "The Ongoing Legacy of Architects". Retrieved 31 August 2023.

Bibliography[edit]

  • Haenfler, Ross. Straight Edge: Clean-living Youth, Hardcore Punk, and Social Change, Rutgers University Press. ISBN 0-8135-3852-1.
  • Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X.
  • Sharpe-Young, Garry (2005). New Wave of American Heavy Metal. Zonda Books. ISBN 0-9582684-0-1.
  • Giordano, James (2016). Maldynia: Multidisciplinary Perspectives on the Illness of Chronic Pain. CRC Press. ISBN 9781439836316.