Tracklist
South Side Of The Sky | 9:24 | ||
Sun Song | 9:33 | ||
Life By Light | 7:29 | ||
Ember Without Name | 16:33 | ||
Into Thin Air | 19:14 | ||
Rest | 6:33 |
Credits (24)
- Julie BabbAdministrator [Administration By]
- Lars SundströmArtwork [Cover Art By]
- Michal Karcz*Artwork [Cover Art By]
- Steve BabbBass Guitar, Organ [Pipe Organ], Pedalboard [Taurus Pedals], Other [The Free Note], Percussion [Assorted Percussion], Mellotron, Piano, Harp, Loops, Programmed By [Programming], Synthesizer [Mini-Moog], Backing Vocals
- Robert StreetsCo-producer
- Roger Dean (4)Design [Glass Hammer Logo And GH Chop Logo By]
Versions
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3 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Culture Of Ascent CD, Album, Stereo, Digipak | Arion Records – SR1825 | US | 2007 | US — 2007 | Recently Edited | ||||
Culture Of Ascent CD, Album, Jewel Case | Arion Records – SR1825 | US | 2007 | US — 2007 | Recently Edited | ||||
Culture Of Ascent CD, Album | Belle Antique – MAR 071319 | Japan | 2007 | Japan — 2007 | New Submission |
Recommendations
Reviews
- Culture of Ascent is the 10th Glass Hammer album (not counting Live at NEARfest). It’s hard to believe the band could top the last few CDs, but this is the strongest Glass Hammer lineup yet. Joining Fred Schendel, Steve Babb, and Matt Mendians are French guitarist David Wallimann, the best guitarist GH have had to date, and Carl Groves (Salem Hill) on lead and backing vocals. Susie Bogdanowicz also supplies lead and backing vocals, and the band is augmented by a string trio. Guests provide backing vocals and acoustic guitar. One of these guests is Jon Anderson, who sings on two tracks. The CD opens with a cover of Yes’ South Side of the Sky. Rather than a pointless clone, this is a beautiful new arrangement featuring a trip-hop loop in some sections. The effect of arranging a Yes track seems to have carried over into some of the other tracks, which show a lot of Yes influence, nothing new for GH, but more work than ever seems to have gone into the vocal arrangements. More often though the music is closer to Song for America-era Kansas, especially when violin is in the mix. Six tracks span 69 minutes, with fully professional production and mastering.
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