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Glass HammerCulture Of Ascent

Genre:Rock
Style:Prog Rock
Year:

Tracklist

South Side Of The Sky9:24
Sun Song9:33
Life By Light7:29
Ember Without Name16:33
Into Thin Air19:14
Rest6:33

Credits (24)

  • Julie Babb
    Administrator [Administration By]
  • Lars Sundström
    Artwork [Cover Art By]
  • Michał Karcz
    Michal Karcz*
    Artwork [Cover Art By]
  • Steve Babb
    Steve Babb
    Bass Guitar, Organ [Pipe Organ], Pedalboard [Taurus Pedals], Other [The Free Note], Percussion [Assorted Percussion], Mellotron, Piano, Harp, Loops, Programmed By [Programming], Synthesizer [Mini-Moog], Backing Vocals
  • Robert Streets
    Co-producer
  • Roger Dean (4)
    Roger Dean (4)
    Design [Glass Hammer Logo And GH Chop Logo By]

Versions

Filter by
    3 versions
    Image, In Your Collection, Wantlist, or Inventory
    Version DetailsData Quality
    Cover of Culture Of Ascent, 2007-10-23, CDCulture Of Ascent
    CD, Album, Stereo, Digipak
    Arion Records – SR1825US2007US2007
    Recently Edited
    Cover of Culture Of Ascent, 2007, CDCulture Of Ascent
    CD, Album, Jewel Case
    Arion Records – SR1825US2007US2007
    Recently Edited
    Culture Of Ascent
    CD, Album
    Belle Antique – MAR 071319Japan2007Japan2007
    New Submission

    Recommendations

    Reviews

    • KinesisCD's avatar
      KinesisCD
      Culture of Ascent is the 10th Glass Hammer album (not counting Live at NEARfest). It’s hard to believe the band could top the last few CDs, but this is the strongest Glass Hammer lineup yet. Joining Fred Schendel, Steve Babb, and Matt Mendians are French guitarist David Wallimann, the best guitarist GH have had to date, and Carl Groves (Salem Hill) on lead and backing vocals. Susie Bogdanowicz also supplies lead and backing vocals, and the band is augmented by a string trio. Guests provide backing vocals and acoustic guitar. One of these guests is Jon Anderson, who sings on two tracks. The CD opens with a cover of Yes’ South Side of the Sky. Rather than a pointless clone, this is a beautiful new arrangement featuring a trip-hop loop in some sections. The effect of arranging a Yes track seems to have carried over into some of the other tracks, which show a lot of Yes influence, nothing new for GH, but more work than ever seems to have gone into the vocal arrangements. More often though the music is closer to Song for America-era Kansas, especially when violin is in the mix. Six tracks span 69 minutes, with fully professional production and mastering.

      Master Release

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      Recently Edited

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      12 copies from 10,65 $

      Statistics

      • Avg Rating:4 / 5
      • Ratings:21
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