“There is nothing nice about Hymns In Dissonance, from the riffs, to the lyrics, to the overall vibe of the album,” says guitarist Alex Wade of the band’s latest output. “We attempted to write our heaviest album to date. We wanted to put out something that was shockingly menacing and brutal.”

“The album follows the story of a cultist who is gathering worthy people to join his cult,” Wade further elaborates, “and there are moments in the storyline where the cult followers are singing an evil hymn to open a portal for the head cultist to enter.”

The band’s dynamic, brutal musicality serves as a soundtrack to the compelling lyrical story that vocalist Phil Bozeman vividly imagines. “Hymns In Dissonance is a mockery of the true nature of what hymns are,” Bozeman explains. “Hymns are melodious and harmonious. Dissonance is the opposite of melody and harmony. Dissonance represents evil. The tracks on the record are the hymns, which represent the seven deadly sins, beginning from Track three to Track ten. Tracks one and two are the introduction.”

The band started composing the new album at Householder’s studio in June of 2023, following their headlining tour for "The Valley." The collective stuck to a strict weekday schedule, the structure allowing for maximum creativity and minimum burnout. Householder produced "Hymns In Dissonance," which allowed the musicians to seamlessly switch gears from preproduction to recording the full album without skipping a beat. The guitarist shadowed producer Mark Lewis a lot over the last five WHITECHAPEL albums and bringing that influence inside the band is a full circle moment for Householder and WHITECHAPEL. “It’s cool that we can be self-sufficient and produce a record of this magnitude ourselves; not a lot of bands can say that.”

Notes Bozeman, “It’s about [the storyline’s cultist] building his cult of followers: Only the most heinous and vile people on the planet showing their devotion to their lord, committing horrible acts, and the leader showcasing his power and his purpose to commit the seven cardinal sins to resurrect their lord, and to replace divinity with evil.”

Adds Wade, “Mostly written by Phil on guitar, "Hymns In Dissonance" has a few riffs and tweaks thrown in by the rest of us. He can churn out some pummeling riffs and it’s one of the best songs on the album because he had a vision for the whole song with the riffs and vocals. It’s tuned to Drop G which we have been using since the self-titled LP, but the ending breakdown shifts down one whole step to Drop F, which we have never done before. Having the final breakdown shift lower than the rest of the song really helped the end have the crushing feeling it needed.”